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‘Aida’ Review: Glum Grandeur at the Metropolitan OperaYou know you’re in trouble when a grand new production of Verdi’s “Aida” only catches fire midway through the second act, after the “Triumphal March”—when Amonasro shows up.
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At the Met, a troubled new ‘Aida’ struggles to rediscover itself“Aida,” which premiered in 1871 at Cairo ... the tomb in Act II — a processional theft set to the tune of the “Triumphal March,” and one of the most bizarre instances of interruptus ...
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