“Aida,” which premiered in 1871 at Cairo’s Khedivial Opera House, tells the story of ... A pair of exciting dance sequences choreographed by Oleg Glushkov broke up a staging that otherwise ...
Nilsson may be the most demure Aida ever to grace the Met stage. Her simple sheath instantly marks her as an outsider, but ...
In Aida’s final scene ... There’s a sepulchral vibe to Michael Mayer’s new staging for the Metropolitan Opera, a dutiful splendor that at times had me wondering how soon someone would ...
Aida has long epitomised opera at its most extravagant - think sweeping sets, luxurious costumes and even real-live horses, an experience intended to transfix the audience with grandeur.